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The poem "Factory" was written by Alexander Blok in November 1903. For the first time in his work, the young aspiring poet touched on themes that were not as romantic as in the entire previous period of creativity when creating the collection “Poems about a Beautiful Lady,” work on which was carried out in 1901-1902. The poem “Factory” is part of the “Crossroads” cycle (dating to 1902-1904), which also includes the poems “A black man ran through the city”, “The last day”, “A sick man trudged along the shore...”, “From the newspapers” " and others. This cycle represents the first attempt of a symbolist poet to address social issues, touching on the problems of class inequality, overwork of workers, oppression of the ruling classes and new revolutionary mentalities.

An analysis of Blok’s poem “Factory” shows that the poet himself deeply sympathizes with factory workers, mercilessly exploited by factory owners, whose image is not clearly spelled out in the poem, but is only marked by mystical references to “immobile someone” and “black someone.” These references contain far more sinister meaning than any detailed description, since it is instinctively human nature to fear everything unknown.

An analysis of Blok’s poem in this case shows that the poet does not give absolutely any dynamic description of events, but as if picking up paint and a brush, paints a picture of the life of factory workers in gloomy tones. The epithets “black” and “motionless,” so successfully used by Blok, even more than the unknown, emphasize and strengthen the ominous impression of the image of “someone” frozen on the wall, counting people behind the tightly locked gates.

An analysis of Blok's poem allows us to see how densely this poem is filled with various symbols, which together create an integral ominous image of a factory-prison. Thus, the image of a “closed gate” only enhances the feeling of something sinister and hidden inside, within the walls of the factory. Also, this image, along with the epithet “motionless someone,” gives an additional feeling of staticity, petrification, and lack of life. In this case, the poet uses the technique of lexical parallelism, using different epithets to convey and enhance the same meaning.

An analysis of Blok’s poem in this case allows us to feel the full morbidity of the oppressive atmosphere of the factory, where an ominous silence reigns and only “brooding bolts creak.” Neither the noise of footsteps, nor the screams of people, nor conversations can be heard outside the gates of such a factory, as if they were the gates to another world - the afterlife. The feeling of pain in the poem is conveyed by the epithets “zolty windows” and “in the yellow windows.”

Mentioning the color yellow twice only further enhances the effect. An analysis of Blok’s poem allows us to understand that by intentionally using the word form “zholty” instead of the adjective “yellow,” the poet seeks to show the reader that in this case, the primary importance is not so much the color itself, but rather the transmission with its help of the very feeling of pain emanating from the factory. In such a factory, people do not work, but are in slavery, lose their health and slowly die.