SLR cameras are getting closer to their technical limit, and their place is taken by more advanced, lightweight, mirrorless cameras in a compact body.
Today we will look at one of these cameras - Panasonic Lumix DMC-G7. This camera is somewhere in between Lumix's line of mirrorless cameras. What functionality does it boast, how is it different from the previous version, and is the Lumix G7 better than DSLRs? Let's figure it out.
What's outside?
At first glance, you can't tell that the Lumix G7 is a mirrorless camera, because all the signs of a DSLR are present in it - a battery grip, a viewfinder and a hot shoe. And only when you take the camera in your hands, you understand that something is not right here. The Panasonic G7 is much smaller and lighter than its SLR counterparts. The camera measures 125 x 86 x 77 mm and weighs only 410 grams.
In the photo and up close, it seems that the camera body is made of metal with leather inserts, but this is not so. The case is completely plastic, but this plastic is very high quality and will not peel off after a month of use.
Compared to the body of the G7, it has become more angular, but all the main elements and controls have remained in the same places. By the way, there are a lot of buttons and switches on the camera. And besides, they can be customized. So you do not have to climb the menu for a long time in search of some function.
As I said above, the G7 also has a viewfinder. It is electronic, with 100% frame coverage and a resolution of 1024 x 768 pixels. The viewfinder is bright and easy to work with even in the dark.
The camera screen has average data for 2015: touch, swivel in all axes, resolution 720 x 480 pixels.
Slightly confuses the lifetime of the camera. Although the battery here is not the smallest - 1200 mAh, on average it only lasts for 300-350 shots. Not the most record-breaking. But it is not surprising, because part of the battery life goes to the operation of the electronic viewfinder.
What's under the hood?
The Lumix G7 is based on a 16 megapixel micro 4/3 CMOS module. The actual matrix size is 17.3 x 13 mm, about half that of Full Frame. The micro 4/3 system is very good because there is a huge amount of optics for it. And to whom this will not be enough, you can buy an adapter and put on any lens for a Canon or Nikon mount. The maximum ISO value is 25600, but working value the camera has 3200 for JPG and 6400 for RAW. The shutter speed range is from 1/16000 to 60 seconds. There is a silent mode in which the electronic shutter works. And it is really absolutely inaudible, sometimes you even think that the camera did not take a picture.
The quality of the photos didn't impress me much. I lacked a little detail, and the pictures turned out to be some kind of watercolor, or something. But this can be forgiven her, because the main feature of the G7 is shooting in 4K. This is perhaps one of the most affordable cameras with this feature. And I'll tell you, the G7 can write video! The picture is very juicy and detailed. The video resolution can be selected between 3840 x 2160 (30, 25, 24, 20fps), 1920 x 1080 (60, 50, 30, 25fps), 1280 x 720 (60, 50, 30, 25fps) and 640 x 480 ( 30.25 fps).
An example of a video recording in 4K:
Another advantage of the Lumix G7 is autofocus. It is of a contrasting type here and has 49 points. Fast, tenacious, works great even in the dark - everything you need to know about it.
Continuous shooting - 8 frames per second. But, the camera has a 4K photo function, which allows you to take a series of shots at a speed of 30 fps at a resolution reduced to 8 megapixels. There are several 4K photo modes:
- 4K burst shooting is just regular burst shooting.
- 4K start/stop continuous shooting - allows you to record 4K video, and then cut out a suitable frame from it.
- 4K Pre-Burst - Records 4K video one second before and after pressing the record button.
Pictures Gallery:
Liked:
- small and light body;
- rotary touch display;
- focusing speed in both photo and video;
- Focus peaking and Picture-in-picture mode with manual focus;
- high quality filmed video;
- the ability to shoot video with a viewfinder;
- the presence of a port for an external microphone;
- burst speed and buffer;
- electronic shutter and silent mode;
- the presence of a Wi-Fi module;
- the ability to choose the position of the histogram on the display.
Did not like:
- not best job noise reduction systems at high ISO;
- no headphone output
- short working time.
Panasonic Lumix DMC-G7 vs Panasonic Lumix DMC-G6
- The novelty lacks GPS and NFC modules.
- The number of autofocus points has grown to 49 (23 points for the G6).
- The viewfinder of the novelty has a higher resolution.
- The fastest shutter speed for the G7 is 1/16000, versus 1/4000 for the G6.
- Ability to record 4K video in Panasonic Lumix G7.
- The newcomer became heavier by 20 grams.
Which glass to choose:
14-42mm f/3.5-5.6G ASPH OIS
The base lens is pretty good for "kit" optics. It has good detailing across the entire field of the frame, the main optical defects are not very pronounced, and, moreover, it is well assembled. If you are just starting your photographic journey and are poorly versed in all these focal lengths and aperture ratios, then take the camera bundled with it.
14-42mm f/3.5-5.6G X PZ
As you know, it is the complete optics that significantly increases the dimensions of mirrorless cameras in depth. Panasonic has developed an improved version of the "whale" with the same focal lengths and aperture, but much more compact in length (when folded). In addition, the optical stabilizer also has not gone anywhere. The only negative of this option of a complete zoom is a slightly longer delay between switching on and being ready to take the first shot than in the usual 14-42 mm. And the cost of the camera + lens increases by about $170. But if you want maximum compactness, then you simply have no choice.
20mm f/1.7
A versatile pancake lens for every day. In terms of full frame, it turns out 40 mm, which is just right for the most diverse shooting - architecture, landscapes, portraits, group photos, medium macro, night photosets and shooting indoors. With all this, the glass is very tiny and compact, has a fairly large luminosity and costs sane money.
12-35mm f/2.8 ASPH
The 35mm format produces the classic 24-70mm focal length range with a constant f/2.8 aperture. If you are looking for the most versatile and fastest zoom for the MFT system, then this is it. You will have to pay a lot, but it's worth it.
35-100mm f/2.8 Lumix G X Vario Power OIS
Another classic telephoto lens with a 70-200mm equivalent focal length and a constant f/2.8 aperture. Fast autofocus and aperture will allow you to shoot reports in almost any conditions without restrictions. The cost bites, but it's a fee for professional opportunities lens.
Summary
Panasonic managed to make a very convenient, functional and high-quality device. Lumix G7 will delight its owner with a high-quality body, a bright electronic viewfinder, fast autofocus, high-quality 4K video shooting and fast burst shooting. But it was not without its downsides. The image is not the best quality in my opinion, and the $800 price tag is a little embarrassing. But now Lumix G7 is probably one of the cheapest options for 4K shooting. And if you need a camera more for photos, then pay attention to and. They are cheaper and have better photo quality.
Panasonic Lumix DMC-G7 video review:
Panasonic Lumix DMC-G7 is another mirrorless camera with interchangeable lenses from Panasonic. This is one of the most interesting devices offered by this manufacturer, and perhaps even the most interesting on the photographic market today.
High performance, 4K recording, movable touchscreen, digital viewfinder, Wi-Fi, just to name a few. But it was not without several drawbacks.
Panasonic Lumix DMC-G7 camera — Reviews
The Panasonic Lumix G7 is the successor to the popular DMC-G6 mirrorless model. The series itself is an interesting proposition for advanced users, but still photography enthusiasts, who are looking for a camera with more features than the usual compact ones.
In addition, the G7 Lumix may interest filmmakers with its advanced recording modes, including 4K resolution. Therefore, it can be considered a slightly cheaper analogue of the flagship Lumix GH4.
What Panasonic Lumix DMC-G7 Can Do
Panasonic Lumix DMC-G7 is a mirrorless camera with the ability to change lenses. The heart of the device is the Live-MOS microstandard matrix. The converter has a resolution of 16 megapixels and can operate at ISO sensitivity from 200 to 25600.
The equipment works very fast. The electronic shutter operates at a speed of 1/16000 sec. In mechanical shutter mode, the camera can take 8 pictures per second, while with electronic shutter and 4K burst mode, the camera can shoot 30 pictures per second. In addition, such a series can be maintained for half an hour. The device is a rather innovative combination in video and photo mode.
The camera is equipped with a tilt and touch screen, as well as an OLED digital viewfinder. There is also a flash external flash and Wi-Fi module. There are manual and semi-automatic modes, recording RAW files and creative filters. However, all this is indicated in the documentation, but what do we get in practice?
Build Quality Lumix DMC-G7
At first glance, the plastic body feels too light for its size. 410 grams is a decent weight, but relative to the dimensions of the camera, it seems insufficient. It seems that inside the "carcass" is mostly empty. However, the build is great. There are no gaps or backlashes in the case.
The camera fits comfortably in the hand, thanks to the comfortable notches for gripping the fingers. In terms of design, the G7 Lumix has changed from its predecessor. The rounded edges of the G6 have been replaced by sharp edges that give the camera a more serious look.
Configuration Options
Panasonic Lumix DMC-G7 is equipped with a large number of buttons, switches and knobs. The latter are located on the top panel. We find here a mode dial (P, A, S, M, etc.) and two adjustment wheels. The location is comfortable and somewhat reminiscent of Nikon ergonomics. One setting is located around the shutter button. This is a very comfortable and intuitive position, right under the index finger.
Another important feature is the programmable buttons distributed throughout the body. There are five main buttons (FN1-FN5), but that's just the start. Digging through the menus on the touch screen, you can also find a tab with five more keys (FN6-FN10). There is also another one (FT11) hidden inside the circle under the thumb.
Each button can be assigned to any of about 50 camera functions. One of the keys can be programmed for displaying additional 12 options on the screen. Moreover, the buttons can play different roles in playback mode and shooting mode. The configuration possibilities are incredibly huge.
Menu Features
Panasonic G7 allows you to choose a photo style, there are 7 profiles available. Among them are standard, bright, natural or, for example, monochrome. In each, you can freely change the contrast, sharpness, noise reduction and color saturation.
Another way to change the look of your Panasonic Lumix DMC-G7 photos is with artistic filters. We have 22 filters that change quite a lot appearance pictures. Some of them look very interesting. Among them are "sunshine", "dynamic black and white", "high dynamics" or "miniature effect". Some, unfortunately, do not look so attractive and, most likely, will be used very rarely.
Unfortunately, when using some filters, the selected effect is visible only in the preview window, but the processor obviously cannot handle direct overlay right during shooting. Filters can be used in any mode (Auto, P, A, S, M), as well as during video recording.
When it comes to basic features, the menu has everything your heart desires. Thus, we can change the image quality, different modes, etc. The menu includes many settings for focus.
Screen and viewfinder
The Lumix DMC-G7 features a 3-inch 1.04 million-dot swivel touch screen. The screen displays bright and clear images, offering a preview, frame coverage - 100%. There are no complaints about it, everything works clearly. The biggest advantage of the touch screen is the ability to focus, working by touching the point of the frame. In addition, the screen gives access to the menu and function bar.
During the day, the picture is clear, the color rendition is correct and, in general, one can hardly wish for something better. The situation worsens at night, but not too much. When there is not enough light, the image in the viewfinder starts to show some graininess. Also, at night the contrast is a bit unnatural. But in general, the viewfinder is of high quality.
Autofocus
Speaking of the Panasonic G7's focusing, it's amazingly fast. If some naysayers still believe that mirrorless devices are slow, we highly recommend testing this theory on the G7. Regardless of the lighting, the focus works instantly and, moreover, the camera almost never misses.
The only complaint arose when trying to track a dynamic object. If the subject is moving, the camera may experience some stuttering. And if shooting a moving target is combined with camera shake, then focus can go astray. The biggest advantage of the system is that at night its efficiency does not drop. It's really amazing how fast mirrorless cameras are growing in this regard.
Battery and connectors
Unfortunately, there are also some battery issues. In the case of Panasonic Lumix DMC-G7, this is insufficient battery capacity. The charge is enough for only 300 shots and 2-3 short videos. Compared to mirror devices, this is really very little. The battery is of course replaceable and comes with a charger. In terms of connectors, the camera doesn't offer anything special. There are USB 2.0, Mini HDMI and a jack for an external microphone.
WiFi
However, the camera is equipped with a Wi-Fi module. When this function is activated, we get the opportunity to choose from four operating modes. The first two allow you to connect the camera to a smartphone or TV (via a network or directly via Wi-Fi Direct). The other two are for sending existing or new photos. In both cases, you can choose whether we want to send the photo to the memory of a smartphone, computer, or, for example, to the cloud (The Lumix Club).
The most important feature, however, is mobile connectivity, and it works very well. Panasonic App is required for synchronization and image manipulation. Although its interface may not be very successful, there can be no complaints about the functionality.
Video filming
One of the biggest advantages of the Panasonic G7 is video recording. 4K recording at 30 fps, MP4 codec at 100 Mbps. Full HD video mode is available for MP4 or AVCHD codecs, and recording can be done at 60fps FPS at 28Mbps.
The Panasonic G7 gives you full control over exposure settings during movie recording. During recording, you can use Auto ISO (P, A and S), as well as apply one of the color filters to the image. Since the parameters can be changed by simply touching the screen, this eliminates the vibration caused by pressing the buttons. Also important is the ability to connect an external microphone.
Image Quality Panasonic Lumix
Photos from the Panasonic Lumix DMC-G7 taken during the day are quite clear. The matrix surprised me with its tonal range. Although the G7 Lumix uses an APS-C format sensor, the small size of the sensor is only noticeable in situations where we want to get a shallow depth of field.
Unfortunately, the Lumixie G7 comes with only a 14-42mm f/3.5-5.6 lens, which makes it difficult to appreciate all the capabilities of the device. There are no complaints about the white balance or other parameters. These systems perform exactly as you would expect from a camera in this price range.
Night shooting on a Panasonic Lumix G7 with a 14-42mm f/3.5-5.6 lens produced a fairly average result. Despite loud statements about optical stabilization, the pictures were not impressive. The camera even in the widest angle does not pull on ISO 3200 (in Auto ISO mode). This, unfortunately, is not enough to deal with image blur. In practice, night shots without a tripod are spoiled by too much grain.
Unfortunately, the quality at high sensitivity leaves much to be desired. The camera turns on noise reduction by default, and in fact the mode works quite well, but not enough to completely deal with the problem of "grain" in low-light shots. However, it is still worth paying tribute to the developers, photos taken at ISO 1600 are of better quality than many direct competitors in this class.
The Panasonic G7 offers two auto ISO modes. The first Auto ISO is rather poor, you can only set the sensitivity limit in it, which the camera will not exceed. In the second ISO mode, the camera analyzes the movement in the frame and, based on the picture, selects the optimal combination of shutter speed and ISO. In any case, the Panasonic Lumix DMC-G7 camera is definitely worth recommending.
Outcome
The Panasonic Lumix G7 is a very successful design that is a dream come true for camera personalization enthusiasts. Camera usability is at a very high level, and many DSLRs could learn a lot from the LUMIX G7.
The camera has innovative features such as 4K recording, tilting touchscreen, good quality OLED viewfinder, and very fast burst modes. Combined with powerful autofocus, the Lumix DMC-G7 is a tool that, in the right hands, will be able to work wonders.
In terms of image quality, everything is fine here, as long as there is enough light. After dark, unfortunately, the camera stands out from the modern range of devices with an APS-C sensor. However, this design has limitations due to the smaller size of the matrix. Are the performances of the Lumix G7 sufficient? It depends on your priorities.
In any case, the Panasonic Lumix DMC-G7 camera is definitely a good product.
Pros of the Lumix DMC-G7
- Very fast and efficient autofocus.
- Efficient shooting modes (8 fps or 30 fps burst mode, 4K).
- Very good image quality with up to ISO 1600.
- Good quality designs.
- Wide range of camera settings (11 programmable buttons, including 5 on-screen buttons).
- Movable touch screen.
- Good quality OLED viewfinder.
- Useful Wi-Fi features.
- Recording in 4K.
- Lots of creative filters.
Cons of DMC-G7
- Only plastic was used to create the case.
- Average battery capacity.
- Average performance at high ISO.
- Insufficient processor power to process some color filters.
- Sometimes there are problems with panoramic shooting.
12.08.2015 10897 Tests and reviews 0
After the announcement of the camera two years ago, Panasonic introduced the new Lumix DMC-G7, which updated the mid-range range, designed for photography enthusiasts and family shooters. Support for 4K resolution has become the main feature of the DMC-G7, and the compact size, which is one of the main advantages of mirrorless cameras, is still present, although the dimensions have grown slightly compared to the previous generation.
Let's start our review with the central innovation - the ability to shoot 4K video at a resolution of 3840x2160 pixels, at 25p (50Hz) or 24p in MP4 format. This feature also made it possible to capture still images at 25 fps at a resolution equivalent to 8 MP (still frame from video). If you write video in 1080p, then it becomes possible to get 60 fps. You'll also find several new 4K shooting modes in the G7: 4K Pre-burst, 4K Burst Shooting, and 4K Burst (Start/Stop) - the company promises that photos can be taken from a freeze frame of 4K video. For example, you can take photos without stopping video recording, use the "4K pre-burst" mode, which allows you to take several pictures before and after pressing the shutter button.
Device hardware update. In addition to the DFD (depth from defocus) system, which allows you to quickly get the distance to the subject for instant focusing, the G7 introduces for the first time the so-called motion vectors, which improve the continuous autofocus of a moving subject. With the help of the new 16 MP Digital Live MOS sensor (physical size 17.3x13 mm), according to the manufacturer, it was possible to achieve a high level of light sensitivity and minimize the response time. The quad-core Venus Engine is faster, with the camera shooting bursts at 8 fps (AFS) or 6 fps (AFC), which should, in theory, make shooting fast-moving subjects easier. We also worked on the noise reduction system, which made it possible to increase the light sensitivity of the camera - the maximum value is now ISO 25600 (the minimum is ISO 160). Algorithms have also become more accurate, Panasonic says. The data exchange between the camera and the lens occurs at a speed of 240 fps.
New opportunities. Panasonic decided to sacrifice NFC in favor of passwordless Wi-Fi connections, while, as before, you are offered QR codes for a more secure connection (you take a picture of this code with the camera of your smartphone or tablet and then set up the connection). You can also transfer pictures to an external device. There is also a proprietary application for iOS and Android - this will allow you to view pictures in the field, since it will hardly be convenient to do it on a 3-inch camera screen. The Jump Snap option, using the camera's built-in accelerometer, allows you to take snapshots while jumping, capturing you at the highest possible point. The new Starlight AF autofocus mode uses a grid of small areas to focus on small objects like distant stars. Panorama lovers will appreciate the new mode, which allows you to shoot photos with an angle of 180 degrees, while it is worth noting that such shots will be about half the height of standard panoramic photos. Well, in conclusion, I would like to note the new Impressive Art filter, with which you can take high-contrast HDR shots.
The DMC-G7 is also equipped with an OLED Live Viewfinder, whose resolution has been increased to 2,360,000 dots (2048x1152 pixels), it offers a 16:9 aspect ratio and a 100% field of view. Face/Eye Detection, Precision AF, One-Shot AF, and Low Light AF are all designed to help you take better pictures in a variety of conditions.
New design. Compared to its predecessor, the G6, the new Panasonic is larger and heavier: 124.9 x 86.2 x 77.4 mm and weighs 410 grams. This is one of the largest modern cameras in its price category. On the top panel you can see a stereo microphone, a flash, a command dial and two mode dials, a camera power switch, a shutter button, a video recording button and one function key "Fn1". The button used to start and stop video recording is slightly recessed into the body, which makes it easy to distinguish it from the rest of the buttons to the touch and prevents accidental pressing, making it almost impossible to accidentally interrupt the recording of important video material.On the left is the shooting mode dial, where, among the usual burst, frame-by-frame and timer, you can see the photo extraction mode from 4K video. microphone jack All other dials have been enlarged The battery capacity of the Panasonic DMW-BLC12 should be enough to take 360 CIPA photos The G7 is available in two colors: black and two-tone grey-black. » configuration, then there will be 4 of them: the first - from 14-42 mm op tick, the second - with 14-140 mm optics, the third - with the two previous options and the fourth - without any optics.
conclusions
Panasonic Lumix G7 fully justifies its price with a decent set of features. By purchasing this camera, you get a reliable, modern camera, which will delight you with beautiful pictures.
Specifications Panasonic Lumix DMC-G7
Effective matrix resolution |
16 MP Live MOS |
Matrix size |
17.3 x 13mm |
OLPF |
Yes |
Sensitivity range |
ISO 160 - ISO 25600 |
| Burst shooting | 6 fps 100 JPEG/13 raw (8 fps with focus locked in first shot; 40 fps with electronic shutter) |
| Viewfinder (zoom/effect zoom) | OLED EVF 100% review 2.36 million points 1.4x/0.70x |
Shoe |
Yes |
Autofocus |
49-point DFD Contrast AF |
AF sensitivity |
-4...- 18EV |
Shutter speed |
1/4.000 to 60 sec. (up to 1/16.000 with electronic shutter); 1/160 sec. x-sync |
| Video | H.264 QuickTime MOV UHD/30p, 25p, 24p @ 100Mbps; 1080/60p, 50p, 25p, 24p@28Mbps |
Audio |
Stereo, microphone input |
| LCD screen | 3 inches / 7.5 cm swivel touch screen 1.04 million points |
Memory card slot |
1 x SDXC |
Wireless connection |
WiFi |
Battery |
360 shots (1.200mAh) |
Dimensions |
124.9 x 86.2 x 77.4mm |
The weight |
410 grams |
The Panasonic G7 replaced the G6 and brought a lot of new things: first of all, 4K video recording appeared in it, the minimum shutter speed was reduced by 4 times and the maximum shutter speed increased, work with RAW improved and the electronic part was generally redesigned, which led to purely interface improvements, including fast tracking autofocus. The camera will be with us for two weeks of testing, during which we ask you to ask us questions about what is interesting about it.
The camera body is made in a traditional pseudo-mirror form. However, it is quite large for mirrorless cameras in general, which makes it suitable for more or less professional shooting - this is a noticeable trend in the company's camera industry in relation to the top of the line (GX8 has also become larger compared to its predecessor). The case is made of very high quality and durable, there is no backlash and no creaks. And all this despite the fact that the case is made on the basis of plastic.
In terms of ergonomics, the camera is probably one of the best. Everything here is done very logically, the on and off key is located next to the thumb, so the camera can be quickly turned on and start shooting, instead of rushing somewhere to the opposite edge of the camera in search of it. In my opinion, this is very important for mirrorless cameras, given that keeping the camera turned on for a long time means, in any case, draining the battery (in addition to the active matrix, the stabilization and prefocusing systems also noticeably eat up free charge batteries). On the left side is an infrequently used mode dial, which appeared just in the seventh version of the camera, so its functionality will most likely come in handy - the quick selection of the shooting mode could previously be set only to the function keys, but now it has its own disk.
On the right, you can find quite traditional solutions: this is the main mode dial, a function key, two record keys, for photos and videos, as well as two main control dials. However, on the top of the main control dial there is a button that switches both dials to the auxiliary mode, so that not two, but four functions can be hung on them to control the main parameters. Interestingly, there are as many as 11 function keys on the camera body, which can be customized to suit yourself. This is probably a record today - by the way, this is how it differs greatly from its predecessor. There are also a lot of options for configuring these keys and they do not fit even on several menu pages. Thus, the camera can be seriously considered as good option for work, especially when you consider that it is neither simplified nor too expensive (and therefore fully claims to be a "workhorse"), and also does not have an anti-aliasing filter, but at the same time it has a convenient swivel screen, fast autofocus, the ability to shooting excellent video with customizable settings and a number of other interesting features. Here, perhaps, only the stabilizer in the camera itself is missing.
The viewfinder of the camera, in principle, is not bad. No, in fairness, it should be said that its resolution has increased and corresponds to the version from the older GX8 model, however, as our comparative test showed, the viewfinder here is somewhat smaller purely visually. True, if you shoot on a cropped SLR camera, such restrictions are not significant for you, because the viewfinder in terms of visibility exactly corresponds to the solutions that are in younger DSLRs, it only has a number of advantages, since it is completely electronic, and in terms of update speed it changed a lot, and there is almost no difference. The wider viewfinder option will only be available on the GX8, which has the more expensive option and greater magnification. Interestingly, this resolution of the viewfinder is more than enough to easily sight in any conditions, it allows you to see the picture in great detail. But the camera screen has a lower resolution, given that it is usually looked at not as close as in the viewfinder. At the same time, the screen traditionally has multi-touch control, and the image output processor is the same here, which ensures its high-speed real-time updating and, perhaps, more convenient operation compared to the viewfinder.
The screen can be rotated reverse side so that you can shoot self-portraits, selfies (selfies) and video reviews without problems. At the same time, a mass is available electronic functions to shoot with this camera using both huge amount system lenses of the micro-4/3" system, and with third-party lenses through an adapter, thanks to the possibilities of focus-peaking, zebra and digital functions that allow you to use the level and other camera sensors.
It must be said that the video in the camera is not as advanced as in the GH4 (in terms of flexible image settings, compression, on-the-fly sound processing), which continues to be the standard option for many video professionals who work with it professionally. There is also 4K here, however, there is no possibility of recording it, except in MP4 - the camera does not allow you to output a picture to an external recorder. However, today, 4K is nothing more than a marketing myth. Since recording such a dense stream requires either compression with more modern codecs, such as H.265 (not supported by most popular video editing programs and requires prior conversion to legacy options), or a strong reduction in quality, the data transmission problem is only intermediate. Yes, it is already being successfully solved in other companies, however, at the editing level, the situation becomes noticeably more complicated, since processing a signal of such density requires a workstation with serious hardware requirements. In particular, this is either a cheaper RAID0 array or an SSD-based working disk, which are noticeably more expensive. This is all in addition to the fact that both the processor and the memory should be among the most advanced. It is quite possible that the situation will change in the next two years in a positive direction, if we keep in mind the speed of innovation in the computer field, which manufacturers are counting on. However, we must not forget that manufacturers will not stand still, releasing new cameras regularly.
At the same time, this camera has a connector for connecting an external microphone, standard for similar situations 3.5 mm. This is convenient for shooting movies on a budget. Considering that today there are a lot of lenses from several manufacturers for the system (more only in mirror systems), including those with an electric zoom drive and convenient autofocus, this also makes video shooting noticeably easier.
The built-in flash allows you to control groups of external flashes through protocols that work for both Olympus and Panasonic. This is very good, since many studio photographers use compact solutions. Naturally, options are available for firing external studio flashes manually with a built-in or through a synchronizer. An unpleasant feature of the built-in flash is that it cannot work in high-speed sync mode, which is why when shooting in semi-automatic modes it will not allow you to set a faster shutter speed relative to the sync shutter speed. The result is sometimes overexposed pictures when shooting outdoors with an open hole. Let me remind you that the fact that the sensitivity of the matrix does not fall below 200 plays a big role here, and even a purely calculated parameter is not lower here.
Considering this camera, one should not forget about purely psychological aspects, in particular, if you come to work with a Panasonic GM1 format camera, in the eyes of the client you will look, to put it mildly, ridiculous, because people are not used to the image of small cameras. It's believed that professional camera should be big.
Remote control of the camera is traditionally one of the best, as the native application allows you to control almost all the available functionality that Panasonic has at its disposal, and not just serve as a shutter button according to the settings that are set on the camera. The camera connects to phones and tablets without any problems. Also, the camera can use data from the GPS receiver of the phone to synchronize with the pictures, so that later there were no problems with determining the location of pictures left after a trip to vacation.
Matrix new camera although it has the same resolution, 16 megapixels, it is nevertheless different. It's a bit inconvenient that it doesn't have the ability to save RAW files at more than 12 bits, and also that the sensitivity at the minimum does not drop below 200 here, however, if you know how to shoot, this is not a particular problem. The real range of the matrix ends at 1600 or 3200, when quite serious work with noise is already required. This, however, is an understandable price for the compactness of the system - the pixel size is too small for today's technologies. At the same time, the pixel size is on par with 36MP full-frame cameras or 24MP crop cameras, which do better due to the more expensive technologies used by competitors. When we talk about compactness, we must remember that professionals approach it differently. Naturally, a regular lens can have rather modest dimensions, but in professional solutions the situation goes much further, since professional system lenses are three or even four times smaller compared to their full-frame counterparts for well-known SLR systems. If we calculate the savings on metal and glass, then the difference in weight is significant, about 2-3 times.
Autofocus here is implemented on the basis of the main matrix, it is of a fully contract type here and works across the entire field. This has long been no longer a disadvantage, but rather, even an advantage, since in terms of speed it is at the level of its mirror counterparts, yielding to them only on the basis of studio tests on special equipment. Purely visually, there are no problems with this camera, and it focuses not only on the screen, but at almost the same speed. As our autofocus test showed, to fully shoot with this camera, you still need a fairly fast memory card, at least class 10 or UHS-I, which will allow you to shoot both video in the maximum quality for this camera and photos with maximum frame density.
From what I lack, it should be noted, perhaps, the metal case and moisture protection, which are present in older cameras. However, here, since the camera is a compromise between functionality and the maximum package of options, I am glad that the manufacturer did not sacrifice functions in a non-top class, but allowed enthusiasts to shoot at maximum capabilities and use all the functions that are in the manufacturer's arsenal.
Advantages
- new low noise matrix (for system)
- correct color reproduction
- 11 function customizable keys
- good viewfinder
- plug for external microphone
Flaws
- starting price
- no matrix stabilizer
Characteristics
- convenient pseudo-mirror case made of plastic
- high-quality control from a smartphone
- video in 4K resolution
- high quality tilt screen
The photo novelty, which will be discussed, compares favorably with a significant part of the cameras. The most important characteristic feature that we have repeatedly mentioned is the presence of a separate video mode on the control disk. It would seem a trifle, but this sign is key. It means that in this camera, the photo mode is not the only priority function. Simply put, if the video recording is selected as a separate mode, this automatically indicates the presence in the camera of all the settings necessary for proper video recording.
Design, technical characteristics
The camera provided for testing comes with the following accessories:
- detachable lens hood
- battery charger with network cable(Direct charging of the battery inside the camera body is not possible)
- belt
- USB cable with a proprietary connector (a standard cable is not suitable for the device, as a proprietary connector is used)
- quick start guide and CD with software and PDF versions of the user manual
Classic camera design, which involves taking pictures, not video shooting - this must be put up with. The folding rotary display, which is also touch-sensitive, greatly facilitates the work. Its design allows you to rotate the screen to the "self-portrait" position. The display in the unfolded state does not interfere with the operation of the rings on the lens, since the operator's hand is usually located below.
The body of the camera is made of metal with a matte finish and plastic inserts "under the skin", which are located in the areas of holding the device. The viewfinder in the camera has a fixed design, it cannot be extended. On one of the sides of the case there is a 3.5 mm microphone input, covered with a rubber plug.
This camera is compatible with Micro 4:3 mount lenses. One such lens included with the camera in question is the Lumix G Vario 14-42mm wide-angle zoom lens with built-in optical image stabilizer and autofocus mechanism. Change focal length is done manually by turning the control ring. The second ring adjusts the focus if it is set to manual mode.
The touch screen has good viewing angles and high touch sensitivity. The controls have a standard layout, additional programmable Fn buttons are “scattered” over the free area of the case.
The interface block is located on the right side of the case, it is covered with a plastic cap on rubber loops. Here is the input of the wired remote control, Micro-HDMI video output and a port that combines USB 2.0 and composite audio / video output.
“Home” for us, the red Rec button is located at the top, next to the shutter button. This Rec is extremely difficult to find, unless, of course, you know how to read Braille books. The situation is saved by the photo shutter button: if the camera is switched to video shooting mode, pressing the shutter button starts and stops video recording.
The battery compartment contains a slot for an SD/SDHC/SDXC memory card. The threaded tripod hole is located two centimeters from the battery compartment cover - you can quickly replace a dead battery or an overflowing memory card only by removing the camera from the tripod (however, tripods are also different).
The battery can only be recharged in the supplied charger, USB direct charging is not possible when the battery is in the compartment. The copy provided for testing has a standard limit for the vast majority of cameras for the duration of continuous video recording: 29 minutes 59 seconds. However, this only applies to the MP4 format, while recording in AVCHD mode is not limited by anything. Thanks to this, we managed to find out the battery life of the camera from a fully charged battery: its resource is enough for 157 minutes of video recording in AVCHD 1920 × 1080 50p mode with Wi-Fi turned off. This is not to say that this is not enough, but still two and a half hours ... However, if you are going to shoot some kind of long event, then the first thing to do is to get one or two additional batteries. Yes, you will have to take it in quantity, because you cannot insert a high-capacity battery into the camera, the form factor is internal.
The main technical characteristics of the camera are shown in the following table:
| Lens | |
| focal length | |
| aperture range | |
| bayonet | Standard "Micro 4/3" |
| Camera | |
| image sensor | Live MOS 4/3 (Four Thirds), 17.3x13.0mm (4:3), 16.84MP (16MP eff.) |
| Dimensions, weight |
|
| Continuous time recording with battery included | up to 157 minutes in AVCHD 1920×1080 50p |
| Carrier | SD, SDHC, SDXC Memory Cards (UHS-I / UHS-II UHS Speed Class 3 SDHC/SDXC Memory Cards compliant) |
| Video formats | MP4: AVC/H.264 + AAC audio
AVCHD: AVC/H.264 + AC3 Audio + PGS Titles
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| Interfaces |
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| Other characteristics |
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| average price according to Yandex.Market | T-12705460 |
| Offers according to Yandex.Market | L-12705460-10 |
Video/photography
The camera records videos in two formats: MP4 and AVCHD. The codec used, of course, is the same - H.264, the differences are only in the frame size (4K is available in MP4), bitrate, audio codec, and the presence of an additional PGS subtitle stream in AVCHD with the date and time of shooting.
You can visualize the difference in detail and nature of the picture that different recording modes give, using the following still frames and original videos.
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| MP4 3840×2160 25p 100Mbps | MP4 3840×2160 24p 100Mbps | MP4 1920×1080 50p 28Mbps |
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| Download video | Download video | Download video |
| MP4 1920×1080 25p 24Mbps | MP4 1280×720 25p 17Mbps | AVCHD 1920×1080 50p 27Mbps |
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| Download video | Download video | Download video |
| AVCHD 1920×1080 50i 17Mbps | AVCHD 1920×1080 25p 23Mbps | AVCHD 1920×1080 24p 23Mbps |
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| Download video | Download video | Download video |
When the Wi-Fi adapter is activated, the camera creates an access point with the following parameters:
Connecting a mobile device to the camera consists of several steps:
- enabling the camera's Wi-Fi adapter
- enabling the wireless adapter in a mobile device (smartphone, tablet)
- connecting to an access point created by the camera
- launch mobile application Panasonic Image App
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Using the application, it is allowed to change some shooting parameters, start / stop recording, take pictures. A reliable connection between the camera and a smartphone is maintained at a distance of up to 60 meters, further increase in the distance leads to video broadcast failures and, ultimately, a disconnection. It needs to be clarified: the critical distance may vary depending on the presence of obstacles, as well as the “air congestion” (the presence of other Wi-Fi networks in the environment). The delay of the video stream when broadcasting to a mobile device does not exceed one second.
methodology
Below are full still shots of the test table, according to which the camera has a resolution of 1650 conditional TV lines horizontally in 4K mode, and up to 950 lines in Full HD.
| 4K | Full HD |
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conclusions
Excellent encoding quality in 4K with an adequate bitrate, high resolution, smart automation that sets the correct exposure and white balance parameters, a rather aggressive noise suppressor, long battery life - these are the features that the reviewed device will remember. However, there is no point in listing the advantages of the camera. Whatever option is a plus. The exceptions are two aspects that prevent comfortable video shooting: the notorious stabilizer and partly autofocus. If the operation of auto focus can still be somehow improved, to compensate for its errors by changing the focusing method according to the conditions of the scene, or even switching to manual mode, then nothing can be done about the stabilizer: either a tripod (monopod) or a light steadicam. Otherwise, the video obtained when shooting handheld is unlikely to be suitable for further use.
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